What is prohibited, the "horse" JB Mpiana jump with height in the bars of the country
The autopsy of the National Commission for censoring songs and performances eagerly sought
"Mpunda" or dance the horse, signed Wenge BCBG JB Mpiana, is listed among the youth in the DR Congo. Although banned access to television and the public "the horse" the preppy yet with jump height in the taverns of the capital as well as other cities. In the evening festivities, "Mpunda" danced tired. Failing to be the "recipe" the most sought menu. "Not a chance then to censor Congolese who always acts downstream.
" Seriously, "the new album from the orchestra Wenge BCBG JB Mpiana, has announced its color through 'Mpunda" or dancing horse. But this ball test, although raised great interest in the circles of music lovers. Because of posturing, shouting and the words that compose the instrumentation, this clip has not waited long to pack Kinshasa. But they did not count with the Censor Board has banned broadcast on television and radio, the new JB Mpiana long awaited Congolese in nightclubs. Since then, the decision of the authority of censorship lies in the heart of a lively controversy in the streets of Kinshasa. What justifies this decision by the censorship board downstream connection? In other words, why the authority of censorship she expected that the clip is first released, before releasing his "claws"? Those are all questions that challenge the authority of censorship involved.
We remember that in the reasoning for its decision, the censor board had discussed, among other reasons of morality. "The screaming, posturing dance (" Mpunda ") does not preserve the morals," says one to the commission. Far from being a cup tea or coffee, the decision of the censorship board is not unanimous in the opinion. And as proof, "Mpunda, though prohibited dissemination through broadcast media, is danced wonderfully in bars across the country.
CONCEPTS INTERPRETATION
Biloko ya ba Mama: "Grapefruit, Malala na batondolo" ya ba daddy ... Biloko nini "Makasu (kola nut)", "Nguba mubesu (fresh peanuts)", "manioko (slice raw cassava and sweet), "... young Biloko ya ba" Ankoro (fortifier powder from Katanga), "Tangawisi" (local drink made from ginger products, sold both the streets that some supermarkets in Kinshasa), "Mondongo (variety of small grain ginger flavor of chili sold at auction in the public areas of Kinshasa). So this body is variously commented not only among the youth but also adults in Kinshasa. Each makes its own interpretation. For
concepts listed above plus another very heckled: "Mpunda", French horse. Curiously, this animal is more than one Kinois compared with women. That is, the whole shock wave. One thing remains true. These words and their interpretations are used in circles of Kinshasa. The misfortune of the musician he has been out a work which had the merit of a skin prick? The question is between the company and its modern Congolese music, which perverts the other? In other words, is this the society that inspired the music or the musician who translated it into art, customs and practices of society.
outset, we condemn the musician. It seems easy: the musician contributes to moral depravity. Especially in rural youth. Judgement easy. But this hasty conclusion deserves questioned think Kinshasa. He seems totally focused on sex. In all cases, the Congolese society in general and Kinshasa in particular requires a radical reform. For its part, the Congolese music as cultural element, requires a cure internally to truly play its multiple roles, including that of educating the masses. The musician, because part of the elite of society, must be careful to magnify the observed facts reprehensible in society.
Regarding the authority of censorship, there are voices increasingly demanding the autopsy of this structure charged with lightness. In view of certain abuses identified in earlier the modern musical work, some do not Kinois punches. They suggest censorship censor. Because intervanant always afterwards.
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